Urn:lcp:danielderondabar00geor:epub:51f12be1-c929-4320-9ff5-241ec21485f1 Extramarc The Indiana University Catalog Foldoutcount 0 Identifier danielderondabar00geor Identifier-ark ark:/13960/t1rf6tn03 Isbn 1593082908ĩ781593082901 Lccn 2004111984 Ocr ABBYY FineReader 8.0 Ocr_converted abbyy-to-hocr 1.1.11 Ocr_module_version 0.0.14 Openlibrary OL8870299M Openlibrary_edition
He reviews books regularly for the Houston ChronicleĪccess-restricted-item true Addeddate 16:56:48 Boxid IA176901 Boxid_2 CH120120402-BL1 Camera Canon EOS 5D Mark II City New York DonorĬityofsausalitolibrary External-identifier in English from the University of Maryland. Dachslager is Professor Emeritus of English at the University of Houston and an adjunct professor in the University's Distant Education Program. Torn between his devotion to Gwendolen and his passion for Mirah and the plight of her people, Daniel is forced to look at his own mysterious past and find out who he really is and who he wants to become.
Deeply unhappy, she turns for friendship to Daniel, only to discover his involvement with Mirah Lapidoth, a talented young Jewish woman. Although the two are immediately drawn to one another, Gwendolen, outwardly alluring and vivacious, inwardly complex and unsettled, is forced by circumstance into an oppressive marriage with the harsh aristocratic Henleigh Grandcourt. The story opens memorably at a roulette table, where we first meet the young and idealistic Daniel Deronda and the enchanting Gwendolen Harleth, whom many critics consider to be George Eliot's finest creation. What begins as a passionate love story takes a surprising turn into the hidden world of the early Zionist movement in Victorian England. George Eliot's last, most ambitious novel, Daniel Deronda aroused scandal when it first appeared in 1876. The present text follows the third, or Cabinet, edition of 1878"-Title page verso If (slot) slot.addService(googletag."Daniel Deronda was published in eight parts in 1876. (function (a, d, o, r, i, c, u, p, w, m) Reading George Eliot in the time of COVID-19 - The Jerusalem Post
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